I already had a passive multiple with seven parallel in/outs. While using my synth I realized that I often use only a few of them. So I build this 2×4 multiple.
The documentation and the Gerber files for download can be found in my website.
This module takes the incoming gate or trigger and routes it to either of its two outputs. The distribution is software driven, according to a random coin toss. You can select the probability distribution with a potentiometer and an input control voltage. The potentiometer voltage and the control voltage are added together. The probability goes from 0% to 100% at output A and from 100% to 0% on output B.
The documentation and the Gerber files for download can be found in my website.
This scanning mixer is derived from the work of Jürgen Haible and Don Tillman with a lot off additions, changes and expansions.. The mixer is able to scan through four inputs with variable depth ans position. Manually and CV controlled. You can overdrive the individual channel nicely to add some overtones per channel. Rate, depth and scan amount are voltage controllable. The mixing level is controlled with sliders and voltage controllable as well. The four channels are summed into an output channel with similar controls.
The scanning mixer comes in two flavours linear and logarithmic. The linear scan gives a more smooth transition between the channels. The logarithmic scan gives a steeper separation between channels. All channels are DC coupled. So you can get interesting slowly moving CV textures when slowly scanning through different LFO outputs. When the depth potentiometer is set to zero you can use this module as simple voltage controlled mixer
The documentation and the Gerber files for download can be found in my website.
There are to much schematic to post here. Please refer to my website. Only pictures here.
When using different cases it is quite inconvenient to run lots off long patch cables between them. With this pair of modules you can reduce the amount of patch cables used between cases. This modules allows to use ribbon cables between cases. The connections are active buffered with OpAmps, so they are unidirectional. To connect cases in both directions (send and return) you need two pairs of this modules.
The documentation and the Gerber files for download can be found in my website.
With this module you can distribute the incoming gate or trigger up to eight outputs. The distribution is software driven. You can select the amount of the used outputs from zero to eight with a potentiometer and an input control voltage. The potentiometer voltage and the control voltage are added together. The mode potentiometer and the mode control voltage selects the algorithm for the distribution. As for the moment (2021 Nov.) only one mode is implemented. Rotating upwards. Any suggestions or programs are welcome.
The documentation and the Gerber files for download can be found in my website.
This is the Eurorack version of my NGF 12dB Multimode VCF.This filter type is widely used in many synthesizers. You can find it in Electronotes or in the SEM modules and in many other synthesizers as well. Nonetheless I have made some changes and adds. I wanted the filter to sound clean with no feedback and the feedback going from soft to very harsh. And usable for pinging (percussion). So I used the the CA3280 for good clean audio (You can use the newly available AS3280 instead). And added a voltage controlled feedback loop going from soft to harsh. This can give the filter a harsh sound and a lot of character. You can adjust the this behavior over a wide range with the calibration trimmers or changing one resistor and capacitor.
The documentation and the Gerber files for download can be found in my website.
This is a 4 x 4 matrix mixer with switches for unipolar/bipolar mode for each column. Unipolar means that the controls work as attenuators. Bipolar means that the controls work as attenuverters. In this mode the amplification is zero in the middle position of the corresponding potentiometer. Turning the knob counterclockwise from the center position the signal is subtracted from the output sum. Turning the knob clockwise from the center position the signal is added to the output sum. The module is DC-coupled and can be used for audio and control voltage mixing.
The documentation and the Gerber files for download can be found in my website.
One more module for my Shakuhachi to Synths project. Not exclusively of course. This is a Track and Hold. Which is quite useful for other patches as well. In the Shakuhachi patch it is used to suppress an incomplete pitch to voltage conversion from the Pitch to voltage converter when the player stops blowing. The module tracks the incoming (control) voltage as long as the gate input is high. When the gate goes low the output voltage is kept. The module is DC coupled to track slowly moving voltages. For this one I have used some obsolete parts, which I had laying around. So, if you want to build it, make sure that you can get those parts. You can use it as Sample and Hold as well. Instead of a gate apply a trigger at the gate input.
The documentation and the Gerber files for download can be found in my website.
I have made some updates to my Shakuhachi to Synth project page. It presents the current patch and some more modules. The project is still ongoing.
This module starts as a need for my Shakuhachi 2 Synth project. I was in need for a short Gate Delay of about 10ms (which is easy to realize). But then I thought about a more flexible solution with adjustable delay time and optional trimming the gate at the end. To be used elsewhere in the synth as well. So I came up with this solution. The hardware is still simple and the functionality lies in the software. So far I have only realized the function which I need for my Shakuhachi to Synth project. But you can easily improve about this with changing the software.
The documentation and the Gerber files for download can be found in my website.
